Nestor and I filmed the play on Sunday and picked up on a few great sound bites.

The first is the way the play opens. It’s a sound archive of what happened on the day of the collapse when the media was covering it with the sound of sirens and ambulances coming to the site of the accident. When played before the play begins, it really sets the mood for what will happen next.

This one is Pierre Collin’s great interpretation of Gilles Dupaul, one of the Dessau engineers that designed the Concorde overpass. He speaks to Maude and Brett to explain his side of the story.